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Shread, C. (2023) “Love, Anger, Madness Making a Classic: Amplifying Marie Vieux-Chauvet’s Haitian Trilogy” in This is a Classic: Translators on Making Writers Global, ed. Regina Galasso, New York: Bloomsbury, 215-236.

Shread, C. (2022) “Translating Art and Pleasure Unthought in Catherine Malabou”, Modern Language Notes, 137(4), Special Issue: L’Art de Malabou: Discours, Plasticité, Mimèsis, ed. Hannes Opelz, 737-754.

Forthcoming translation from the French of Catherine Malabou's Pleasure Erased: The Clitoris Unthought is the recipient of a 2022 French Voices award.

Rancière, J. (Spring 2022). Does Communist Art Exist? Trans. Matthew Scully, Nell Wasserstrom, and Carolyn Shread. Critical Inquiry, 48(3), 459-474.

Mbembe, A. & Shread, C. (trans.) (2021) Notes on Late Eurocentrism, Critical Inquiry In the Moment. (2021, July 1). Retrieved from

Shread, C.  (2021) Response by Shread to “Representing experiential knowledge”, Translation Studies, 14(1), 104-108, DOI: 10.1080/14781700.2020.1850333

Shread, C. (2020, August 6). "Taking the Risk To Translate as Our Intelligence Morphs." Columbia University Press Blog. Retrieved from: 

Ergun, E., Shread, C. et al.. (2020). Women (Re)Writing Authority: A Roundtable Discussion on Feminist Translation. In Translation, Feminism and Gender (pp. 1-30). London, UK: Routledge.

Mbembe, A. & Shread, C. (trans.) (2020) . (2020, April 13).

Singer, Kate. (2023). “From It’s the End of the World as We Know it and I Feel Queer: Mary Shelley, Queer Affect, and Shapeshifting Through The Last Man.” In Chris Washington, Editor, The Last Man: A Norton Critical Edition. W. W. Norton.