Faculty Accomplishments

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Released 10 new podcasts in partnership with WGBH in Boston and New England Public Media between October 12, and November 15, 2021, featuring performances of 10 new commissions with composer interviews.


Presented two new radio shows, Identity Duets and El Puerto Rico (The Rich Port) on New England Public Media on September 26, 2021 and October 3, 2021 respectively. 


Was a guest speaker at the FaceToFace Symposium organized by Atttica! (Mexico), Ensemble Thing (UK) and AEJAA (UK) on June 12, 2021. The session was titled, Pandemic Music Making.


Was a guest speaker together with librettist and producer, Cerise Jacobs, and composer, Jorge Sosa at Maastricht University's Maastricht Centre for the Innovation of Classical Music Symposium on April 22, 2021. The session was titled, Alice in the Pandemic - An Opera for the Pandemic, and the Promise of New Possibilities.


Music directed  "", a multimedia event featuring live performance online, centered on texts by Melisa Tien, hosted by the HERE Arts Center in New York and promoted by the American Composers Forum. Featuring 10 original songs offering insights into the immigrant experience today in the U.S. Live performances ran from March 16 - 21, 2021 and will remain asynchronously available for the next 2 months. 


Created and produced "", a concert of 7 world premieres by composers of Puerto Rican heritage, as a joint artistic response to the pandemic. Performed by the Victory Players, the show premiered in joint presentation by New England Public Media and the Massachusetts International Festival of the Arts,on January 23, 2021, and was presented again on March 7, 2021 by Pregones Puerto Rican Traveling Theater in association with BronxNET in New York City as part of the March is Music 2021 Series. 


Work with White Snake Projects and the Victory Players, on Cerise Lim Jacobs and Jorge Sosa Ortega's new opera "Alice in the Pandemic" has been recognized by the Library of Congress as an "exceptional work" that "embodies the artistic qualities and subject content we are seeking" for its Performing Arts COVID-19 Response Collection.  


Was a contributing partner for a successful  of $14,286 awarded by Opera America for the development of Mary D Watkins's Dark River: The Fannie Lou Hamer Story. The funding is for two years and will support development work to bring it to larger stages.


Discussed the curatorial possibilities in a Liberal Arts environment on , a series hosted by Georgia Institute of Technology's Chaowen Ting and Kansas University's Carolyn Watson, on June 15th, 2020.


Was invited by the National Endowment for the Arts to serve on its 2020 Music Panel.